Aug 5 2009 1:53 PM EDT
Tokio Hotel's Humanoid Is Finished, After Brotherly ArgumentsBill and Tom Kaulitz argued over tracklist, producer says.By James Montgomery
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They'd already settled on a title and a release date, so it was probably time for the guys in Tokio Hotel to actually finish recording
Humanoid, the follow-up to their English-language debut,
Scream.And they have. According to producer David Jost, brothers Bill
and Tom Kaulitz have just returned from Los Angeles, where they put the
finishing touches on the album, which has been in the works for nearly
a year.
"Bill and Tom have just been in Los Angeles to do the
final guitar and voice recordings. The production is finished and we're
now mixing the album," Jost said in a statement to MTV News on
Wednesday (August 5). "From the 25 songs we've written these past 12
months, we had gotten to a [final] selection of songs, which we've been
focusing on, production-wise for the last months."
Jost went on to say that the Kaulitz have whittled those 25 songs down to 13, which will comprise the tracklist for
Humanoid. But it wasn't easy.
"A few days ago, Bill and Tom had a little argument about what
should be the final tracklist for the album. But it seems that this
internal problem has been solved," Jost wrote. "Bill has now compiled a
track list including all the songs that will be part of the
Humanoid album. According to Bill's latest version, 13 songs will be on the new album."
And what will those 13 songs sound like? Well outside of some YouTube leaks — snippets from a pair of
Humanoidsongs, "Dark Side of the Sun" and "Pain of Love" dribbled out back in
June — few people seem to know. Jost had previously mentioned that
Kaulitz had been drawing inspiration from the world of science-fiction,
and earlier this year, production team the Matrix told MTV News
that they had recorded eight songs with Tokio Hotel, and that the
material was "strong, anthem-y" stuff with a dark edge and "lots of
guitars."
In his statement, Jost hinted that the new material might be
more somber and stream-of-consciousness. Or at least that's what we
think he's saying ...
"Already as a young boy Bill held an immense melancholy within
himself. At the writing and recording sessions, his emotional extremes
are his greatest asset. In the studio Bill's truth is always his last
mood and his latest feeling," Jost wrote. "Sometimes Bill was entering
the studio — dreaming wide awake — and then he pulled out those
crumpled-up slips of paper with his song ideas on it, from various
pockets and bags."